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Silvia Lanao © Anna Tena-9_edited.jpg

Silvia Lanao

composer

  • Since the beginning of her career, Sílvia has developed a path closely connected to acoustic sound, writing for orchestra, choir, chamber ensembles, and solo instruments. 

     

    Her music is driven by a clear intention: to bring contemporary music closer to performers and audiences through a language that can move, communicate, and create rich and expressive sound worlds. 

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  • She seeks beauty through a personal musical language inspired by centuries of musical tradition, while maintaining an open approach that allows the distinctive characteristics of different styles to become a source of inspiration.

     

    After completing her composition studies at the Conservatorium van Amsterdam, she established a career shaped by collaborations with leading institutions and ensembles across Europe and North America.

     

    She has recently been commissioned by the Liceu to join the Òh!pera project, creating one of the micro-operas that will premiere in 2027.

     

    Most recently, she was invited by John Adams to take part in the Green Umbrella Music Series. Her work Desert Bloom was premiered at Walt Disney Concert Hall in Los Angeles, performed by musicians of the LA Phil.

     

    In 2025, she returned to Barcelona to receive her first commission in her hometown as part of the Canta amb l’OBC project at L’Auditori.

     

    In 2024, she embarked on her first international tour and presented her first composition for solo voice and orchestra. Ein Glück Ohne Ruh’ was performed in several cities across the Netherlands and Germany with the Nederlands Studenten Orkest, culminating in a final concert at the Concertgebouw in Amsterdam.

     

    In 2023, her work Medusa Rehard was premiered on NPO2’s television programme Podium Klassiek, accompanied by an interview about her artistic practice.

     

    Between 2022 and 2023, she was awarded the Stipendium Jonge Componist 2022, which allowed her to work for a year alongside the Radio Filharmonisch Orkest. During the same period, she also contributed to the first CD by the Lillith Ensemble, dedicated exclusively to new music by women, with her work Elgdans.

     

    In 2021, she was composer-in-residence with the Canadian Quatuor Bozzini as part of the Composer’s Kitchen programme. Her work ¿Friends? was premiered at the Gaudeamus Festival at TivoliVredenburg. That same year, she continued to explore performative and multisensory elements in her music, an artistic direction also present in works such as Synaesthesia, an immersive experience in which music guides the audience through the senses of smell, taste, and touch.

     

    In 2020, she took part in OFFSprings, a project commissioned by Dutch National Opera & Ballet. The result was In Nabijheid, a performance exploring the possibilities of opera from a perspective of social inclusion, combining fragments of Giuseppe Verdi’s Aida with voices from the company’s choir and the Afro-Surinamese choir Black Harmony.

     

    In addition to the projects she has been involved in, Sílvia was awarded the first prize, the Mary Viëtor Prize, at the Alba Rosa Composition Competition, held at the Concertgebouw in Amsterdam in 2018. In 2026, she was also awarded the Gold Medal at the Vienna International Music Competition, held at the Musikverein in Vienna.

music

Orchestral works 12,4 MB
00:00 / 05:10
Vocal works mix. 6,2MB
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Ensemble works 11,3MB
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 emotionally charged, sophisticated and often dissonant musical language

[...] Rich melodic lines, bestowing a warm comforting blanket over the meandering accompaniment, abounded, while unexpected and hypnotic double-bass counter melodies kept all on their toes. 

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THE SPIDY EDITOR / Clara Varney

FULL ARTICLE

news

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December 2025

walt disney concert hall

Sílvia was invited by John Adams to take part in the Green Umbrella Music Series. Her work Desert Bloom was premiered at Walt Disney Concert Hall in Los Angeles, performed by musicians of the LA Phil.

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may 2025

World premiere: "L'aigua"

Aigua, a work commissioned by L'Auditori, is a piece for choir and orchestra by Sílvia Lanao created for the Canta amb l'OBC project, featuring a community choir and the Coral Cantiga. The text, written by the composer herself, reflects on water as a life cycle and as a natural resource under threat. 

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FULL PROGRAME

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february 2024

world premiere: "Ein Glück ohne Ruh"

The young, driven Netherlands Student Orchestra, led by maestro Frans-Aert Burghgraef, will perform the beautiful sounds of Gustav Mahler's Fifth Symphony and a commissioned composition by Sílvia Lanao. Soprano Lilian Farahani will sing in Lanao's composition and will also perform songs by Alma Mahler.

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L'AUDITORI. BLOG ESTRENA "L'AIGUA"/  Oriol Pérez Treviño

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Describing herself as a composer who seeks to create a unique narrative in each piece, evoking deep emotions and inviting the listener to explore her soundscape, Lanao states that her aim is "to

create auditory spaces that allow listeners to immerse themselves, reflect and embark on a journey through sound".

FULL INTERVIEW (spanish)

WORKS LIST

2026

PARK GÜELL for orchestra.

FESTA MAJOR for cobla.

KORHOEN for ensemble: Vln. Vla. Vc. DB. Glock. and Xyl.

D'UN ALTO MONTE for soprano and piano.

2025

PULSACIÓ for tuba quartet.

DESERT BLOOM for ensemble: flute, clarinet, bassoon, horn in F, trombone, tuba, harp, piano, violin, viola, cello, double bass.

2024

AIGUA for orchestra and choir.

2023 · 2024

EIN GLÜCK OHNE RUH for ochestra and soprano. 

2023

MEDUSA REHEARD for ensemble: English horn, 2 clarinets, bass clarinet, basson, trumpet, trombone, tuba, vibraphone, harp & celesta. 

MEDUSA for orchestra.

2022

ELGDANS for ensemble. 

2021

FRIENDS? for string quartet. 

THE HUNT for ensemble: Flute, oboe, clarinet, soprano sax., horn in F, trumpet, trombone, harp, viola, cello, double bass.

KALEIDOSCOPE for ensemble and live electronics. 

WINTER LANSCAPE for beginner recorder. 

2020

IN NABIJHEID CHAMBER opera for male voices and electronics. 

ÍNDIGO for ochestra.

SWEET RED for trio: Pan flute, Alto Sax and flute. 

LUXIA for solo flute.

IN A YELLOW MOOD for recorder quartet.

2019

SYNESTHESIA SUITE for ensemble, a set of pieces about the senses: Viola, recorder, oboe and pan flute. 

LLUNA GELOSA for 4 hands piano.

MAGNETITE for ensemble and oboe and accordion solo.

AZABACHE bass clarinet concerto. 

NERIUM for two organs. 

MAGRANA trio for Sho, Sheng and Erhu. 

2018

IF YOU WALK IN A CIRCLE LONG ENOUGH IT MIGHT FEEL LIKE A SENSE OF DIRECTION chamber opera. 

MIDWINTER NIGHT'S for trio: guitar, saxo and piano. 

SERENDIPITY trio for oboe, recorder and pan flute. 

TOUCH & HEARING for ensemble. 

NIT for orchestra. 

EMPORDÀ for piano trio and soprano. 

2017

LIBÈL·LULA for ensemble: flute, pan flute, soprano sax., baritone sax. and bass clarinet. 

WHEATFIELD WITH PARTRIDGE for orchestra.

2016

LAS MENINAS for saxophone quartet.

HIGHLIGHTS

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2018

EMPORDÀ

Empordà as a landscape 
Empordà is the name of a region in the north-east of Spain, where I have grown up and which I always miss terribly, moreover the poem I am using as text, is inspired by the landscapes of this region.  Vinyes Verdes Vora el Mar (Green Vines Near the Sea) is a poem written by Josep Maria de Sagarra (1894-1962), a catalan writer who’s life was marked by the civil war and afterwards the dictatorship by F. Franco. As a catalan writer and intellectual his live was in danger during the Spanish Civil War (1936-39). In 1936 he had to leave Barcelona and hide in Port de la Selva, a small village near the frontier between Spain and France. This village captures the essence of the landscapes of the already mentioned region, Empordà. 

2026

KORHOEN

The way the music was inspired by the Korhoen (Lyrurus tetrix) was by following their mating dance. As it is the case for many male birds, the korhoen dances in front of the female to prove its value. The dance can become competitive and males often are not alone dancing. Sometimes the dancing can become a fight in which one male fights away the other male for the female's attention. The double bass, cello and viola represent the female, while the flute, glockenspiel and first violin represent one male and the clarinet, xylophone and second violin the other male. Together they dance and relate to each other imitating the mating dance, and the noises the bird does. Although different from nature they end all dancing together in this piece. 

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